Title:

A History of Painting, Volume I, Renaissance in Central Italy

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CONTENTS


PREFACE BY FRANK BRANGWYN v

FOREWORD		 ix

AUTHOR'S INTRODUCTION-
I. The Ultimate Significance of all Art 1
II. Wherein is attempted a survey of the Art of Antiquity
-and an explanation of the terms Classic, Byzantine, Romanesque,                
Gothic, Renaissance, and Humanism		 8

THE DAWN OF MODERN PAINTING
THE RENAISSANCE IN CENTRAL ITALY

CHAPTER

I. Of the Cradle of the Renaissance in Italy 31
II. The Renaissance dawns over Central Italy 36
III. Of the Italy into which the Renaissance came 39
IV. Of the Italy in which the Renaissance blossomed                                    45




THE PAINTERS OF CENTRAL ITALY
V. Wherein we see the Renaissance flit through Siena 63
VI. Of the Coming of Art into Florence                                                        68

1400
VII. Of the Tale of the Saintly Dominican 73
VIII. Which tells of the Might of Hulking Tom 77
IX. Which is chiefly concerned with Perspective 81
X. Wherein we are introduced to a Friar with a
Roving Eye                                         		 86
[xvi]

1450
THE GOLDSMITH-PAINTERS OF FLORENCE

CHAPTER

XI. Which shows the Kinship of Painting and Sculpture 95
XII. Wherein we are introduced to the Poet of the
Springtime of the Renaissance		 98
XIII. Of an exquisite Maker of Garlands 111
XIV. Of the son of a Friar and a Nun 115
XV. Of the Deeps of Poetry that may be within the
rough outer man		 121
XVI. Of the Gentle Soul of him who created the Lay
Figure and his Friend the Fire-eating Tapster		 126
XVII. Of a dandified Stiggins of vast hand's skill 131
XVIII. Of a Gentle Soul incapable of tragedy                                        135

1500

THE GOLDEN AGE
XIX. Wherein we meet the Giant of the Springtime of
the Renaissance		 139
XX. Wherein we see the Mighty Genius of Leonardo da Vinci
create the School of Milan		 159
XXI. Wherein we see Art flit into the Umbrian hills 169
XXII. Wherein we walk with Raphael, the Radiant Child
of Fortune and Apostle of Grace		 184
XXIII. Wherein there passes by, in the streets of Rome,
unhailed, the Giant of the Renaissance		 205
XXIV. Wherein the Renaissance in Italy perishes amidst
the Ruins                                       		 241


[xvii]

ILLUSTRATIONS


PLATE
XXII. RAPHAEL-The Virgin of the Tower Frontispiece
MARGARITONE-Virgin and Child, with lives of the Saints 24
II. SIMONE MARTINI-Christ bearing His Cross 64
III. FRA ANGELICO-Virgin and Child 72
IV. UCELLO-Rout of San Romano 80
V. PIETRO DEI FRANCESCHI-Nativity 84
VI. FILIPPO LIPPI-Annunciation 88
VII. POLLAIUOLO-St. Sebastian 92
VIII. VERROCCHIO-Virgin and Child 94
IX. BOTTICELLI-Fresco : Giovanna degli Albizzi and
the Three Graces		 94
X. BOTTICELLI-Spring 96
XL. BOTTICELLI-Mars and Venus 98
XII. BOTTICELLI-The Crowning of the Virgin 100
XIII. SCHOOL OF GHIRLANDAIO-Head of a Girl 110
XIV. FILIPPINO LIPPI-Virgin and Child with St. Jerome
and St. Dominic		 112
XV. PIERO DI COSIMO-Death of Procris 120
XVI. FRA BARTOLOMMEO-Virgin and Child with Saints 122
XVII. LEONARDO DA VINCI-The Virgin of the Rocks 144
XVIII. LEONARDO DA VINCI-The Last Supper 146
XIX. LEONARDO DA VINCI-Head of Christ 146
XX. LEONARDO DA VINCI-Mona Lisa, or La Joconde 148
XXI. LUINI-The Mystic Marriage of St. Catherine 158
XXIII. RAPHAEL-Ansidei Madonna 182
[xviii] XXIV. RAPHAEL-La Belle Jardiniere 184
XXV. MICHELANGELO-The Entombment 204
XXVI. ANDREA DEL SARTO-Portrait of a Sculptor 242
XXVII. BRONZINO-Boy 248
MAP OF ITALY xxiii

CHARTS
SCHOOL OF SIENA 62
THE RENAISSANCE IN FLORENCE 72
THE SO-CALLED SCHOOL OF MILAN 155
SCHOOL OF UMBRIA                                              178

  
Basiswissen Skulptur. Anschauliche Techniken (Gebundene Ausgabe)
von Karin Hessenberg
Siehe auch:
Figürliches Gestalten mit Gips und Ton
von Dorothy Arthur
Die Kunstwerkstatt. Figurenkeramik Die Darstellung des Menschen
von Manuela Casselmann
Basiswissen Töpfern. Praxisnahe Beispiele
von Jacqui Atkin
Niedrigbrand. Reizvolle Farben und Effekte mit Raku, Rauch- und Kapselbrand
von James C. Watkins
  
    
     
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